great new band from glasgow whose blend of snow patrol style anthems and more american inspired lo fi melodies make this a real cracker

incl. rmx by icarus aka joel mull songs of art & fex , the ninth release of sindicato records, has been produced by artifex, this is, xpansul and fernando gullon, that got a great succes together with our 5th release and their work for american label random dynamics. besides, their solo carrers are in a great moment thanks to their recent works for plus 8, truesoul records and audiomatique..

nice price deal !!! dj reeplee is back with another splendid house winner.dj producer dj reeplee servicing the vocal talents of two american singers robert anton & jeremy carr with nice instrumentation.top notched production yet again on american french label souvent records with nice vocals performed by us singer jeremy carr on the a side & robert anton on the flip.

nice girlshirt from freude am tanzen records... great frontprint.. new rave was last weekend .. printed on american apparel shirts

nice girlshirt from freude am tanzen records... great frontprint.. new rave was last weekend .. printed on american apparel shirts

woody mcbride has been makimg superb pioneering techno for many years now under many different guises including dj esp and this release is another real cracker. it is brought to us by american label - wreckless recordings. the 4 tracks themselves are an excellent wide ranging bunch from the menacing deep a1 cut stop to the dark and eerie b2 that is egocide

bas mooys syndikaat imprint has quickly become an important player in labelland, gaining a growing fanbase with top of the bill quality tunes by artists such as tony rohr, agaric, hardcell & grindvik, secret cinema and eye catching, one of a kind, sleeve design. on the fifth cut the talented american eidolon, shows what he is about, delivering three wicked tracks which will definitly rock the floors worldwide. syndikaat keeps on releasing quality electronic music, showcasing a clear view on the future of techno !!

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

a collection of newly commissioned remixes of the legendary and influential american composer s work. >reich: remixed 2006< comprises four tet s remix of >drumming< and alex smoke s remix of >proverb<. the single also includes the competition winning remix of >music for 18 musicians<

randall jones again picks out fellow american derek howell to take his label into release #002. derek, who started out producing tracks independently for edm digital, shot into favour with the likes of john digweed and chris fortier for their respective bedrock and fade imprints. some tasty rolling basslines and catchy hooks

"elio riso makes his come back following up the much acclaimed &#147;to be or not to be&#148; on the paradise label.the south american producer delivers a daft inspired robotic electro with human spoken vocals under a solid electro groove & a cool synth ibiza based producer pat the cat remix uses also this catchy synth line but with a more british approach think 20/20 vision or nrk.original mix sounds like the original with a cool sunny vibe in it"

audio assault is still hanging strong, fighting their guerrilla battle to put quality dark techno back in the place where it belongs, total domination

revolver canada is proud to release the debut first 12 of our first american signing, north carolinas james thomason.. james sound is filled to the brim with soul and sophistication.. straddling the fine line between minimal techno and deep house !!

super fresh minimal techphunk tracks // collage is the debut for madrid s alex under on plus 8 (his first north american label release), delivering a sound that is complimented exactly by its title. a mastermind in blending a variety of electronic influences, his hybrid version of rhythm and sound is a moody mash up of jazzy yet experimental techno. his productions are based on deconstruction and variation with equal parts of humor and precision

sentidos opuedos as its names indicates go to explore the many fields of techno music. a1 >ama sonica< shoots to ears some groovy drums and a funky bass line, which take control of the soul while the hypnotic synthe-line gets in charge of the head. a2 >naked gravity< challenges to blow you mind into heaven. argenis points out his origin, delivering a song with a fat bassline and some typical south american rhythms that could easily bring you naked on a dance floor. b1 >yerbabuena< explores a more rhythmic section. this evolving tune starts from a simple bass shot to more complex patterns that deliver fury in crowded clubs as easily as to say >yerbabuuuuuuena< b2 >eimuu< is the psychedelic child of this ep. its groovy bass pushes you far somewhere in the deepness and the chords do the rest. dance, dance baby, its a sunny day! this 12inch is mixed by jay haze !!

jacek sienkiewicz delivers two head candies that no doubt could make some south-american microhouse masters think about updating their sound.. youll get two pieces of precise, thoughtful, contemporary music that is equally bound to move you in the club and comfort at home.. great!!

1st release on parisian label warm music. track taken from babamars first album ' whatever happened to our pionners' it's no one else than missive founding manager p-o and procuder mister j to take control of the a side. a classic missive production . funky minimal and 100% dedicated to the dancefloor. on the flipside , multi artist inabeathead , this french-american producer and designer shows us is cinematic view of babamars's track. abstract breakbeat for a journey into his universe. first inabeathead album will come in oct 2005. b2) is the popy original version : vocal electro tune that rocks the dancefloor

hottest dessous rec girlshirts: american apparel baby rib cap sleeve. high quality shirt from aaæs young womenæs line. because the fabrics are stretchy, especially this baby rib, which has a stretch factor of over 100%, each size can fit a wide range of women. the medium/one size (m/os) fits approximately 80% of women.

all tracks unreleased and recorded exclusively for tresor. mr. atkins was unique in researching and experimenting with future electronics on american shores in detroit long before the term 'techno' had even been use

nach dem oni:tor release legen sie noch eine schippe drauf und bringen american western country und cut up auf erfrischende weise zusammen. und squaredancer akufen steuert einen remix dazu. yiieeehaaaa !

nach dem hochgelobten letzten beach house album once twice melody (vÖ 2022) folgen nun 5 neue tracks des amerikanisch-französischen duos bestehend aus victoria legrand und alex scally. entstanden sind die songs während der once twice melody session, sie passten jedoch nicht so recht zu den anderen album-songs, sodass sie nun separat erscheinen. alle songs wurden von beach house produziert und von u.a. alan moulder, trevor spencer, caesar edmunds und von greg calbi und steve fallone bei sterling sound gemastert.

nice price

nice price action

big 90s dance 2cd compilation incl all the eurodance hits !

soundtrack

pop

10 years on, arthur verocais encore gets a vinyl release. the highly anticipated follow up to arthurs eponymous debut album from 1972, encore saw arthur joining the dots over 35 years to createa modern classic of brazilian music that, like his debut, combined brazilian influences with his take on american soul

electronic/dance

the new album from norwegian musician and novelist jenny hval.

65 jahre falco !!

2xcd

the 1st ep from legendary french producer and dj laurent garnier, produced in 1992 with mix master moody

floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3

next output by american experimental composer alvin lucier.

fresh from bringing us two incredible volumes of Ôa journey into deep jazzÕ and providing an introduction to black saint & soul note records on bbe, if musicÕs jean-claude joins forces with victor kiswell for new compilation, Ôworld jazz groovesÕ.

her majesty s ship is proud to present this never happened , the latest album from hugely talented french-american singer and producer yan wagner.
this always inventive and off kilter artist has had many top releases on labels like kitsune and has worked with the likes of the legendary arnaud rebotini and etienne daho. he also has a side project, the populists, is producing the first album of calypso valois and wrote the soundtrack for the short film victoria by mathilde marc. someone who plays events like sxsw and montreux jazz festival, wagner s playful disco-pop tunes always find their way into the emotions of those who hear them.

berlins own steffen linck, a multi-instrumentalist known as monolink, announces his debut album amniotic, due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolinkÕs music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica, steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work, following his 2017 ep burning sun via sol selectas, and the end, a collaborative record with acid pauli in 2015.

moby has released a new single and video for Òlike a motherless child,Ó from his forthcoming album everything was beautiful, and nothing hurt. featuring la-based soulstress raquel rodriguez, Òlike a motherless childÓ is a re-work of the well-known spiritual, with its origins in the slavery of the american south. the track describes the void left when one feels separated from a parent, higher power or similar guiding force. over the years this powerful song has been reinterpreted by the likes of odetta, lena horne, mahalia jackson and van morrison. the album is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds him returning to his orchestral, soul, trip-hop and gospel roots.

late 80s south african dance floor winners only! selected by dj okapi and antal, the compilation holds tracks by jivaro, the hard workers, ayobayo band, s.y.b. & many more. this is the sharp electronic music that fuelled the local pantsula dances during the 80s and 90s . a must have for fans of bubblegum and kwaito music. top tip! the 12 tracks selected for pantsula! come from a very unique, very different time and place. they represent the birth of electronic dance music in south africa, through the songs of one particular independent label from the time: music team. the sound represents the culmination of the bubblegum era, when south africaÕs disco artists outgrew their american influences and forged an increasingly electronic and ÔlocalÕ pop sound

with many influences, the musicians of la mano create a peculiar sound, a rock-salsa-ra•-reggae-rap cocktail which they baptize patchanka. manu chao, who writes lyrics, gives to the patchanka a more personal definition: a popular dance with apache lyrics and chorizo spirit. the band starts touring across france in october 1987 and rapidly establishes a solid reputation. a few months later, when the second record putas fever is released, the success is obvious. tracks sung in french, spanish or arabic, pas assez de toi, king kong five or sidi hbibi are immediate hits. after a long live-cruise in 1992 along the south american coasts, la mano negra gets back to france and separates in 1994. its hard to tell the impact of la mano negra across french and spanish speaking countries, with as many particular experiences that people lived during their tours.

through the sparkle is a collaboration between french ensemble astr•d and american pianist and composer rachel grimes. rachel grimes is best known for her chamber music project rachelÕs, a hugely influential group formed in 1991 in louisville, kentucky, releasing six studio albums between 1995 and 2005. she has also released a string of contemporary classical works in recent years on labels such as temporary residence. astr•d is a collective of four musicians based in nantes, releasing records on rune grammofon and home normal. after years of mail and email back and forth over the ocean, from nantes to kentucky, astr•d invited rachel to come for a residency to make music together and play shows in france. they gathered for a few days, here and there, in 2012 and 2013 to write songs in cyril and vanina s home studio in the countryside.

welcome to the ska beat!. the sound that came from jamaica between 1961-67. based on the american rnb and doo-wop records that sound systems in kingston town used to play. the american records style started to mellow out while the jamaican preferred a more upbeat sound.. so to meet this demand the sound system bosses became record producers to cater for this demand. sir coxonne and duke reid lead the way by putting the top musicians on the island in the studio to make this ska sound!! here for your enjoyment is a selection of the some of the top tunes that made ska so greatÉ we hope you enjoy the bestÉ.

the band scarletts fall is a duo formed in 2014 by ruth childs (british-american performance artist and singer based in geneva) and ste?phane vecchione (swiss performance artist and musician based in lausanne). they define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. out of their playfully ironic and poetic universe you can ear shades of can, broadcast and young marble giants.

ambient power duo anjous sophomore statement continues in the vein of their 2014 debut, unfurling a full hour of mesmeric synthetic drift and veiled melodic undertow. comprised of mark nelson (of pioneering post-rock experimentalists labradford and pan american) and robert donne (of labradford, aix em klemm, cristal), the group work largely in long-form suites of sound, alternately spacious and dense. the new lps six pieces embrace flux and ambiguity: drones swell and shudder, hushed currents of noise glitch and dissolve, atmospheres congeal and liquify. as with the participants prior projects, anjou evoke a shadowed, mysterious mood, variously melancholy and transcendent. the album is an accumulation of craftsmanship and experience, blurred forms traced in light and fog.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension. dont worry, the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostface killah, one of wu tang clans members that delivers a punchy performance on the upbeat tempo track thrilla, as well as steve edwards, the house music singer who sang with swedish producer axwell, and whos also known for having lent his voice to bob sinclar on the famous world, hold on. were releasing the album once more, so that you can get back into the fabulous swing of cassius.

a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)